Sherie Mungo
10/19/11
Multicultural
Composition Pedagogy: Moving from Informative to Transformative
Problem: I think that the biggest issue with
multicultural pedagogy in composition studies is the tendency to view
multicultural studies as informational rather than transformational. That is to
say, writings that speak to diversity are often used as guideposts to historical
missteps that society now deems to be reprehensible. Minority works then become
didactic forums about the dangers of engaging in behaviors such as racism and
classism. This rhetorical approach can establish the false comfort in the
student that these cultural issues are individual idiosyncrasies rather than
societal structures and leads to complacency with the system itself.
Thesis: In order to rectify this situation, I
think that we must create and utilize a curriculum that employs critical lens
to view diversity in the composition classroom as opposed to the cursory
multiculturalism that is presently taught.
Theoretical Framework: I argue that multicultural
composition scholars need to explore ways in which to make multiculturalism
more based in analysis. I think that utilizing established critical ideologies,
such as Critical Race Theory in their classrooms can help composition
instructors locate where they need to be in this argument. It is important to
note that this theory focuses on modern manifestations of discrimination,
albeit within a historical framework. In other words, critical race theory does
not allow one to project blame onto historical wrongdoers but causes him or her
to reflect on how they have perpetrated historical malevolence themselves.
However, exposing modern day prejudice is not the only concern of this
ideology. Social activism is a key factor to proponents because they believe
that it is not enough to determine the flaws of the system, but that this
knowledge must be a catalyst to transform society.
Application: Critical
Race Theory is just one of the theories that composition scholars could use to
reconstruct multiculturalism in our discipline. However, the main objective for
infusing these ideologies into composition is so that it can develop theories
native to our discipline.
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